Check out the November 2015 issue of Sculpture magazine to read a review of Intimate Strangers, my summer solo exhibiton at the Mindy Solomon Gallery in Miami.




Hi-Fructose featured my work in this shout out about my upcoming show at the Mindy Solomon Gallery. Click HERE to check it out! 




Click HERE to check out this short video that documents my piece titled Pause in the group show of the same name at the Zuckerman Museum of Art. 






I'm looking forward to teaching two workshops this summer. One is titled "Permission to Stare" at CRETA Rome in Italy and the other titled is "Picturing People Naked: Sculpting the Figure" at Santa Fe Clay.  In both I'll be demonstrating my methods for hollow-building realistically rendered figures out of clay. If you have questions about the workshops you can email me from my contact page on this site, or you can contact the venues directly. Click HERE for a link to the CRETA Rome info and click HERE for the Santa Fe Clay info. 




After returning to Atlanta from the Human Form Symposium at the Arrowmont School of Arts and Crafts on September 13th, it was time for The Atlanta Contemporary Art Center's Annual Art Party. During the event, all of the studio artists had their studios open ot the public. It was great to meet so many new people here in Atlanta. 



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I just moved into a new studio at The Atlanta Contemporary Art Center. This is an exciting opportunity for my to become more connected within the Atlanta art coummunity. ACAC's studio program offers subsidized studios for 14 local artists in a setting that provides access to other artists, dealers, collectors, patrons, critics, and the general public. Click HERE to read more about the program. 



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I'm getting ready to ship out some work for Texas Contemporary in Houston, which opens next week. If you're in the area, stop by the Mindy Solomon Gallery Booth (#807). 



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I'm getting ready for a solo exhibition at the University of Georgia in the Lamar Dodd School of Art that opens September 20th. More images soon to come.